A set table, a full plate. But is everything as it seems?
In this material exploration, Lagrima Studio deconstructs the iconography of breakfast — one of the most universal and everyday rituals — transporting it into a conceptual territory where form prevails over function. Through ceramics, an ancestral yet timeless material, the elements of the table are shaped, reinvented, and freed from their immediate utility, becoming silent sculptures that inhabit suspended time.
Integrated into the Beyond project, this exhibition invites the visitor to look beyond the surface. The studio’s practice amplifies the tension between permanence and fragility, reality and illusion, presence and representation. What we recognize as food or domestic object ceases to be consumable and becomes contemplative.
In a subtle interplay of volume, texture, and finish, breakfast is no longer merely a routine gesture but transforms into a field of reflection on materiality, desire, and perception. Ceramics — solid, tactile, enduring — crystallizes the ephemeral and eternalizes the moment.
Here, the table is an installation. The food is sculpted form. And the viewer is invited to look carefully at what they thought they already knew.
